This site-specific electroacoustic performance created a fictional place by merging recordings of the Toronto subway system with a live feed from the busy street outside the café. The piece was an exploration of sonic memory and place formation.
September 2009
This sonic performance involves a feedback loop between a microphone and radios placed about the room. This loop is manipulated through proximity, induction and other effects of the performer’s body on the system.
September 2009
This thesis examines R. Murray Schafer’s conception of the “soundscape”, Pierre Schaeffer’s “acousmatic”, and the “anecdotal” works of iconoclast Luc Ferrari. Overviews of musical time scales, sound ecology, spatial perspectives, reduced listening, and schizophonia are undertaken along the way.
September 2009