Robin Parmar

Index of work

SOUND: performance

ELECTRICITY! concert for many speakers (November 2026)
Ouroboros (April 2026)
Introduction (April 2025)
Matrix for Glaciers (November 2023)
Bytebeat Metabiosis (October 2023)
Sonic Vigil 11 (September 2023)
Periphery (February 2023)
Music For Glaciers (April 2022)
Concept Null Launch (March 2020)
Angel (October 2019)
Division By Zero @ Algorave (March 2018)
Improvisation on Korg Volca (4 Mika Vainio) (September 2017)
A Celebration of Pauline Oliveros (December 2016)
A Riba-Roja d'Ebre (August 2016)
Dust on my Hands (June 2016)
Stolen Mirror album launch (February 2016)
Assisted Improvisation on the People's Park Monochord (March 2015)
An Evening with Pauline Oliveros (June 2014)
Sonic Vigil 8 (May 2014)
The Invisible Viola Project (January 2013)
Sonic Vigil 6 launch (May 2013)
Two Observations (May 2013)
Fragments from an Improvisation for Abandoned Parking Garage (January 2013)
Sonic Abyss (May 2012)
Tank (January 2012)
No Input Software System (Cybernetic Improvisation) (December 2011)
Strange Attractor (April 2011)
Valentine's Day gig (February 2011)
OPENED3:SPATIAL (July 2010)
The Limerick-Toronto Subway Line (September 2009)
The Absence of Baudrillard (performance) (October 2008)
escalation 372 live in Galway (June 2007)
The Rite of Spring (March 2007)
Granulation Knaves (October 2006)

SOUND: release

Present Time (October 2026)
Moons of Saturn (December 2025)
Aletheia (May 2025)
Citalá, River of Stars (December 2023)
lost techno tape (January 2023)
Strays 2 (January 2022)
Strays 1 (December 2021)
The Last Frost Fair (December 2020)
Universal Commercial Electric Telegraphic (March 2020)
Division By Zero (March 2018)
The Absence of Baudrillard (March 2015)
...between... (February 2014)
The Drones (January 2013)
Device for the Transmission of Electrical Energy Through Air (June 2012)
Marmaros (June 2012)
Avoidance Strategies (January 2011)

SOUND: composition

The Garden of Adumbrations (June 2026)
Travel at Night (October 2024)
Tender Glance (December 2022)
Spectral formation (yes to peace) (February 2022)
Lullaby of the Nymphs (Magicicada Brood X) (October 2021)
Radiosphere 2021 (July 2021)
language fades in the dominion of the birds (May 2021)
Field Piano (for Harold Budd) (December 2020)
The Signal (November 2020)
World Listening Delay (July 2020)
Indirect Collaborations (July 2020)
Universal Commercial Electric Telegraphic (March 2020)
Black Moon - Waxing (February 2020)
Sounds from Sri Lanka (May 2018)
Perturbation (February 2018)
Before The Listening Begins (February 2017)
Division by Zero {shadow} (September 2016)
Trembling the Manifold (August 2016)
Hurrian Hymn No. 6 (July 2016)
Requiem David Bowie (Some Are) (March 2016)
Caged Birds (Augmentation) (July 2014)
Bastion (July 2014)
Under the Streets of Limerick (May 2014)
Bicameral Dash (August 2013)
Oxygen Debt (January 2013)
"Agentia" (for six musicians and tape) (November 2012)
Freeze-Thaw (November 2012)
After Keem (August 2012)
Spinward and Falling (August 2012)
Picabia's Hammer (August 2012)
The Second Silence (May 2012)
Deserted Village (August 2011)
What Do I See? (April 2011)
2003 UB313 (April 2011)
Snowblind and Falling (March 2011)
Fold Penetration (January 2011)
Qarun Hydrophone Death (December 2010)
wave, particle, falling leaves (August 2010)
Realm of Circulation (May 2010)
Induction Ritual (May 2010)
Pack Ice (September 2007)

SOUND: installation

The Vault of Night (June 2025)
ClusterChord (June 2017)
"In that place, the air was very different" (April 2017)
"In that place, the air was very different" (November 2016)
Three Foghorns (May 2016)
Foundsoundscape (March 2015)
Apophenic Ecosystem C10 C30 (September 2011)
Induction Circuit (May 2011)
Catherine Street Augmentation (May 2010)
The Lights In Room 7 (January 2010)

SOUND: curation

Co-Chair of Music Panel for ICMC 2022 (July 2022)
River Shannon Soundwalk (July 2022)
Sonic Practice Now (July 2022)
Limerick Sound Festival (August 2018)

VIDEO

giving space (May 2025)
The Witch's Cradle (February 2025)
Halfway Knowing (October 2024)
Emergence (February 2021)
Karst (December 2020)
Handwringer (March 2020)
Division by Zero {phalange} (January 2019)
The Swerve (November 2018)
Boundary Conditions (November 2014)
Afterimage (July 2014)
Methods of Hypnosis (July 2014)
Abîme (September 2013)
Flame and Being (July 2013)
Certain Small Observations (October 2011)

VIDEO: installation

Everything was singing (November 2023)

VIDEO: performance

Emergence System (November 2019)

RESEARCH: paper

Nature before rights (October 2026)
Liquid listening: environmental composition and the swerve (September 2026)
Before listening - ambience as aletheia (May 2026)
Stroboscopic rhythm as chromaesthesia in Curgenven's Agenesis (April 2026)
Against Digital Embodiment As Such (March 2026)
Remaking the cradle: the lost film of Maya Deren (July 2025)
What Digital Angst Reveals (August 2023)
Why I Wrote Listening to Places (March 2023)
Listening to Places (July 2022)
Platial Phenomenology and Environmental Composition (September 2019)
Living the Anthropocene: Rethinking Sound and Nature (April 2019)
Sounding the Anthropocene @ WFAE (October 2018)
Joy Division in Space: The Aesthetics of Estrangement (October 2018)
Robert Curgenven: Locate Yourself (August 2018)
Stereophonica Review (December 2017)
Atoms and Digital Audio: Epicurus Meets Mika Vainio (September 2017)
Desktop Electronic Music (August 2017)
Geos, topos, choros: three models for thinking about place (April 2017)
A Brief History of Field Recording (September 2016)
Science-Fiction and Hypermodernism (March 2016)
Creating an Autopoietic Improvisation Environment Using Modular Synthesis (March 2016)
The Music Videos of Angela Conway (November 2015)
Transits and Transmissions: Joy Division in Space (November 2015)
Digital Angst and the Phenomenology of Discontinuity (August 2015)
Digital Anxiety Dispelled: Granular Synthesis and the Paradox of Discontinuity (July 2015)
Hearing as Science-Fiction (November 2014)
Spectator, Performer, Magician: Orders of Interactivity (September 2014)
"Caged Birds" as Field Recoding (July 2014)
Sounding Place: Towards a Practice of Field Recoding (July 2014)
The Sono Prototype and Alberti's Window (March 2014)
Making Noise and Reading Noise (September 2013)
Radio Before and After Radio Waves (August 2013)
"The Garden of Adumbrations": Reimagining Environmental Composition (December 2012)
Becoming Noise: Unwanted Sounds From Helmholtz To Hegarty (August 2012)
No Input Software: Cybernetics, Improvisation and the Machinic Phylum (August 2011)
Forgetting Interactivity: Notes Towards a Typology (June 2010)
"The Garden of Adumbrations": An Anecdotal Soundscape (September 2009)
Complementarity: An Archipelago (October 2008)
Jean Baudrillard: How to Disappear Completely (March 2007)
Time and Reality Die in Spectacle: Doctor Who as the Perfect Crime (September 2006)

RESEARCH: residency

ExoSound residency (September 2026)
São Miguel Island residency (March 2017)
Terra Alta residency (August 2016)
Sounding Cobh (May 2016)
Sounding Cork (May 2015)

RESEARCH: talk

Um, Ah, Radiophonics (May 2026)
On the problem of DIGITAL in art practices (June 2022)
Sounding the Anthropocene @ Zolala (December 2017)
Radio Without Radio Waves: Utopian Proposals (September 2017)
Sound Ideas (June 2017)

RESEARCH: curation

the OBJECT itself (June 2024)

TEACHING: general

Sabbatical Year 2026-27 (June 2026)
Course Director of MMPT (April 2022)

TEACHING: talk

Visual Music Panel (September 2021)
sixMILLIONsoundsPERsecond (February 2013)
Sound and Architecture (October 2012)
Some Notes on Sound Installations (September 2010)
An Introduction to Sound Art (December 2005)

TEACHING: course

Digital Video Fundamentals (CS4053) (September 2020)
Graphic Design (CS4231) (September 2020)
Lecturer in Video & Visual Communication (September 2019)
Advanced Video Production (CS4040) (February 2019)
Visual Coding (CS4049) (February 2019)
Algorithmic Composition (January 2018)
Digital Media Software and Systems 2 (September 2017)
Realtime Audio and Video (September 2017)
Performance Technology 1 (January 2016)
Physical Computing: Musical Interfaces (January 2016)
Acoustics, Psychoacoustics, and Modalities of Listening (September 2015)
Performance Technology 2 (September 2015)
Digital Instrument Fundamentals (January 2015)
Digital Media Software and Systems 4 (January 2014)
Academic Writing (October 2011)
Politics of Daily Living (October 2011)
Radiophonics, Sound Art, Intermedia Art (January 2011)

POETICS

Revenge Fantasy (January 2017)
Siamese Twins (December 2016)
On Creating Events (September 2016)
Moc navade (November 2014)
Tinnitus (October 2013)
Golden Boat Poetry Translation Workshop (September 2013)
Siren (October 2012)
Siren (October 2012)
Mlade Rime Poetry Festival (June 2012)
Tragedy of the Sun and Stars (October 2011)
Poems of Love, Death, and Nasal Surgery (February 2010)
The Saint (October 2007)
The Way of the Owl (October 2006)
Brighton Poetry & Book Festival (December 2005)
Microphone On (August 2005)
Hammer & Tongue International Slam Competition (February 2005)